Installation View

Sefrou Serving Platter no.1, 2017, Graphite on shoji paper with artists tape, framed. 38 1/8” x 34-11/16” (122.24cm x 88.1cm) Frottage drawing made on-site in Sefrou, Morocco.

Orson Welles with Obelisk, 2017, Digitally printed acetate with spray paint on panel, 8” x 6” (20.32cm x 15.24cm). Imagery from/used: 1-Photograph of Orson Welles Monument taken on-site in Essaouira, Morocco. 2-Found image of obelisk. 3- Moroccan wood design object purchased in wood-working shop in Morocco and used as stamping object.

Mozart’s Hand, 2018, Pen, marker, and acrylic gloss medium with digitally printed canvas and organza silk on dye sublimation print on aluminum, 20” x 16” x 1/8” (50.8cm x 40.64cm x 0.3175cm). Imagery from/used: Photograph of Monument to Mozart taken on-site in Vienna, Austria.

Printer Error (Fútbal Monument), 2018, Digitally printed acetate, acrylic gloss medium, with resin on plexiglass, 22.5” x 16.75” x 1.25” (57.15cm x 42.54cm x 3.175cm). Imagery from/used: Digitally Manipulated Photograph of 3 story tall Monument to Football taken on-site in Fez, Morocco.

Installation View

Milan Cemetery, 2018, Digitally printed acetate, canvas and organza silk, marker, acrylic paint and spray paint with resin on panel, 12” (30.48cm) diameter circle. Imagery from/used: 1- Photographs taken on-site at the Milan Cemetery. 2- Moroccan wood design object purchased in wood-working shop in Morocco and used as stamping object.

Milan Cemetery (detail)

Uptown Fascist, 2018, Digitally printed acetate, organza silk, and canvas with pen, marker, graphite and oil, acrylic and spray paint on panel , 36” x 36” (91.44cm x 91.44cm). Imagery from/used: 1- Photograph taken in 1991 from my bedroom window looking north from 101st between Broadway & Amsterdam Ave. 2- Still image of a Fascist Eagle from Bertolucci’s “Il Conformista”. 3- Mayan Calendar table cloth purchased in Mexico City used as a stencil.

Uptown Fascist (detail)

Uptown Fascist (detail)

Uptown Fascist (detail)

Uptown Fascist (detail)

King Maximillian I Joseph of Bavaria at Milan Train Station, 2018, Digitally printed acetate, organza silk, polyester fabric mesh and canvas with graphite, marker, acrylic, oil, enamel and spray paint on stretched canvas, 30” x 24” (76.2cm x 60.96cm). Imagery from/used: 1- Photograph of King Maximillian I Joseph of Bavaria Monument taken on-site in Bamberg, Germany. 2- Photographs taken on-site of Fascist details at the Main Train Station in Milan.

King Maximillian I Joseph of Bavaria at Milan Train Station (detail)

King Maximillian I Joseph of Bavaria at Milan Train Station (detail)

Installation View

Checkpoint Charlie no.4, 2018, Acrylic gloss medium and pen on digitally printed canvas and polyester fabric mesh, adhered to archival board, 23” x 27” (58.42cm x 68.58cm). Imagery from/used: 1-Checkpoint Charlie image photographed originally at the Newseum in DC. 2- Photograph taken on-site at the new location of Stuyvesant HS in special room of student-etched HS desks saved from the old building on 15th st.

Checkpoint Charlie no.2, 2018, Acrylic gloss medium, vinyl letters and gloss varnish on digitally printed acetate and canvas, adhered to archival board, 23” x 27” (58.42cm x 68.58cm). Imagery from/used: 1-Checkpoint Charlie image photographed originally at the Newseum in DC. 2- Photograph taken on-site at the new location of Stuyvesant HS in special room of student-etched HS desks saved from the old building on 15th st.

Checkpoint Charlie no.2 (detail)

Checkpoint Charlie no.3, 2018, Digital print on acetate with acrylic paint, ink and pen on paper, adhered to archival board, 23” x 27” (58.42cm x 68.58cm). Imagery from/used: Checkpoint Charlie image photographed originally at the Newseum in DC

Checkpoint Charlie no.3 (detail)

Installation View

Erlangen, 2017, Digitally printed canvas and acetate with spray paint on 2 triangular panels with corner brace hardware corner diptych, 12” x 12.75” x 12.75” x 1.25” (30.48cm x 32.385cm x 3.175cm). Imagery from/used: 1- Photograph taken on-site of Monument in Erlangen, Germany. 2- Purchased un-finished Moroccan metalworks, used as stencil.

Installation View

Sefrou Serving Platter no.2, 2017, Graphite on shoji paper with artists tape, framed, 40” x 27-3/4” (101.6cm x 70.485cm). Frottage drawing made on-site in Sefrou, Morocco

Monument Valley, 2017, Digitally printed acetate with acrylic gloss medium on dye sublimation print on aluminum, 20” x 16” x 1/8” (50.8cm x 40.64cm x 0.3175cm). Imagery from/used: Photographed on location in Monument Valley, Navajo Nation.

Metalúrgica, 2017, Digitally printed acetate, canvas and organza silk with acrylic paint on panel, 10” x 8” (25.4cm x 20.32cm). Imagery from/used: 1-Photograph of Moroccan Doors taken on-site in Morocco. 2- Photograph of Leader of the Metal Workers Union’s grave in Buenos Aires, Argentina.

Installation View

NICHTS, 2018 , Digitally printed acetate, organza silk, and canvas with pen, marker, graphite and oil, encaustic, acrylic and spray paint on panel with museum board extension, 40” x 48” (101.6cm x 121.92cm). Imagery from/used: 1-Photograph of Orson Welles Monument taken on-site in Essaouira, Morocco. 2- NICHTS text and font from title of an article regarding how the universe is made up of mostly nothing, published in the Frankfurter Allgemeine Zeitung.

NICHTS (detail)

NICHTS (detail)

Fútbol and Obelisks, 2017, Digitally printed paper and acetate with spray paint on masonite board, 11” x 14.5” (27.94cm x 36.83cm). Imagery from/used: 1-Photograph of 3 story tall Monument to Football taken on-site in Fez, Morocco. 2- Found images of Obelisks. 3- Pattern work created through purchased unfinished metalworks in Morocco and used as stencil.

Christ the Redeemer, 2018, Digitally printed organza silk and acrylic gloss medium on dye sublimation print on aluminum, 20” x 16” x 1/8” (50.8cm x 40.64cm x 0.3175cm). Imagery from/used: Photographed images taken on-site at Christ the Redeemer in Rio de Janeiro, Brazil.

Fez City Walls , 2017, Digitally printed paper and acetate with enamel, spray paint and marker on panel, 8” x 8” (20.32cm x 20.32cm) . Imagery from/used: 1-Photograph of Fez Medina City Walls. 2- Photograph of Rockets taken on-site at NASA in Cape Canaveral, FL. 3- Reproduced frottage drawing made in Morocco.

DMZ, 2018, Digitally printed acetate, organza silk, polyester mesh fabric and canvas with pen, marker and oil, acrylic and spray paint on panel, 30” x 30”, (76.2cm x 76.2cm). Imagery from/used: Photographed on-site at the DMZ in 2003

DMZ (detail)

DMZ (detail)

DMZ (detail)

DMZ (detail)

Tecumseh Sherman, 2017, Digitally printed acetate, paper and canvas with spray paint on masonite board, 10” x 10" (25.4cm x 25.4cm). Imagery from/used: 1- Photograph of the Monument to Tecumseh Sherman - a Union Army General- on 5th Ave at 59th st. in NYC. 2- Reproduced frottage drawing made in Morocco. 3- Reproduced Moroccan Newspaper.

Tecumseh Sherman (detail)

Orson Welles, 2017, Digitally printed acetate with enamel, spray paint and marker on masonite board, 10” x 10” (25.4cm x 25.4cm). Imagery from/used: 1- 1-Photograph of Orson Welles Monument taken on-site in Essaouira, Morocco. 2-Photograph of Moroccan Doors taken on-site in Sefrou, Morocco. 3- Pattern from Moroccan tourist purse.

Checkpoint Charlie no.1 , 2018, Silkscreened text, acrylic paint and gloss medium, black tape and plastic on digitally printed acetate and canvas, adhered to archival board , 23” x 27” (58.42cm x 68.58cm). Imagery from/used: 1-Checkpoint Charlie image photographed originally at the Newseum in DC. 2- Photograph taken on-site at the new location of Stuyvesant HS in special room of student-etched HS desks saved from the old building on 15th st.